MC5: HIGH TIME

High Time was the third and final album released by the protopunk band MC5; it was released in 1971. After losing money on this and the group's previous album, Atlantic Records dropped the group.
MC5 were nearing the end of their long and bumpy trail when they cut High Time in 1971, and it was widely ignored upon initial release. While it lacks the flame-thrower energy and "off the man!" politics of Kick Out the Jams or the frantic pace and "AM Radio of the People" sound of Back in the USA, High Time sounds like MC5's relative equivalent to the Velvet Underground's Loaded, their last and most accessible album, but still highly idiosyncratic and full of well-written, solidly played tunes. Fred Smith's "Sister Anne" and "Skunk (Sonically Speaking)" bookend the album with a pair of smart, solidly performed hard rockers (bolstered by fine horn charts), and Wayne Kramer's "Poison" ranks with the best songs he brought to the band (he later revived it for his solo album The Hard Stuff).
For a group that was apparently on the verge of collapse, MC5 approach this material with no small amount of skill and enthusiasm, and Geoffrey Haslam's production gives the band a big, punchy sound that suits them better than the lean, trebly tone of Back in the USA. It's interesting to imagine what MC5's history might have been like if High Time had been their first or second album rather than their last; while less stridently political than their other work, musically it's as uncompromising as anything they ever put to wax and would have given them much greater opportunities to subvert America's youth if the kids had ever had the chance to hear it.
01."Sister Anne" (Fred "Sonic" Smith) - (7:23)
02."Baby Won't Ya" (Fred "Sonic" Smith) - (5:32)
03."Miss X" (Wayne Kramer) - (5:08)
04."Gotta Keep Movin'" (Dennis Thompson) - (3:24)
05."Future/Now" (Rob Tyner) - (6:21)
06."Poison" (Wayne Kramer) - (3:24)
07."Over and Over" (Fred "Sonic" Smith) - (5:13)
08."Skunk (Sonicly Speaking)" (Fred "Sonic" Smith) - (5:31)













8 comments:
I'm always surprised to see High Time brushed under the rug, written off as less political or less energetic or what have you. It sounds to me like the fullest realization of the MC5, the album they made for themselves without overbearing external influences like Sinclair or Landau, like everyone in the industry was giving up on them so they made Their Record for themselves. The songs simmer and take their time or boil and rage as appropriate. Nothing is out of place, overdone or left undone. The only caveat I have to put on it is I usually listen to my own personal mix of it with the "rehearsal" versions of Poison, Gotta Keep Movin (more natural/on key vocal), and Baby Won't Ya (great Fred Smith vocal) substituted for a little rawer, edgier sound. Over and Over floors me emotionally in a way little other music can, it sounds like a lament for all the wasted potential of humanity intertwined with some hope that it can still be realized. When I want my direct charge of the MC5, this is the album I go for.
What do u mean by protopunk ..?
"pre or proto punk" means the MC5 were the first band to leave formulaic rock music behind and really kick it out with a purpose and message. The Motor City 5 continue to inspire thousands of new bands to carry on in their very large footsteps of Kicking out the Jams MF! The 5 were NOT a punk band but a fantastic group of well trained musicians who believed their music could change the world.
"I dig that!!!! they were and still will may always be the very first rock inventive american musicians with an unbelievable adequation with their words and lyrics blasting far above any bands from this era ..."
"Kim, their music did change the world for the better...they were right!!!!!!!!Thank God for the 5!!!!!!!!"
"Yes, they did!! They still are, as far as I can tell."
High Time is the MC5's best elpee by far. And I got my copy signed by MD and Dennis Thompson at a DAM/Sillies show at East Quad in A2 in the fall of 1977. Yee-Haw! Thanks again.
I was at that DAM/sillies show.couldn't find a liquor store&ended holding the sillies drums together.Bob Mulrooney was the drummer&he turned me on to a new vision of music that was emerging,later known as punk.
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